Louis Spohr's chamber works reveal a composer of genuine craft and emotional sophistication, here performed by the Academy of St. Martin-in-the-Fields ensemble in 1995. The Octet and Nonet represent apex works in the chamber repertoire—complex, brilliantly orchestrated for their respective forces, yet remarkably balanced and conversational. Spohr's writing emphasizes clarity and lyrical beauty, with each voice contributing meaningfully to the whole. The Academy ensemble plays with the warmth and precision for which they are known, allowing Spohr's sophisticated harmonies and engaging themes to emerge naturally. These works sit between Beethoven and Brahms historically, combining Classical formal clarity with Romantic expressivity. A fine introduction to an underappreciated chamber composer.