Reinhold Friedl and Costis Drygianakis meet on *Τα Αμφότερα Εν* (meaning "both together" in Greek), a 2024 collaboration that quietly dissolves the boundary between acoustic and electronic sound. Friedl, known for his meticulous work with prepared instruments and electrified strings, finds a natural partner in Drygianakis's approach to texture and resonance, creating a single sustained piece that unfolds like a slow conversation between wood, metal, and electricity. The title's bilingual gesture—Greek text paired with a German label—hints at the record's larger preoccupation: how meaning emerges from the friction between different sonic worlds. Rather than dramatic gestures, *Τα Αμφότερα Εν* draws its power from restraint and attention, from the patient layering of barely-there sounds until something unmistakably present emerges from the quietness. It's the kind of recording that rewards patient listening, revealing new spatial relationships with each return.