Rowland S. Howard was already a legend of Australian post-punk when he recorded these two tracks for Bang! Records in Spain—a guitarist whose angular, noir-tinged sensibility had defined The Birthday Party and shaped decades of angular rock. "Autoluminescent" and "Ocean" capture him in a reflective space, the guitar work still possessed of that distinctive unsettling beauty, but with a patient, almost meditative quality that suggests late-period Howard looking inward rather than outward. These aren't songs meant to shatter; they're darker meditations on image and vastness, the kind of material that rewards close listening. A brief but focused glimpse at an artist who never stopped evolving.