Johann Ludwig Krebs, a student of Bach and court organist in Zwickau, left behind a substantial body of keyboard music that deserves far more attention than it typically receives. This second volume of his complete organ works, performed by Gerhard Weinberger, showcases the composer's skill at both abstract counterpoint and devotional arrangement. The program moves between intellectually rigorous preludes and fugues, intimate chorale treatments that transform familiar Lutheran hymn tunes into intimate meditations, and trio sonatas that display the conversational interplay characteristic of mid-eighteenth-century German organ music. Krebs inhabited a peculiar historical moment—trained in the canons of high Baroque polyphony but working as tastes shifted toward Classical elegance—and this tension animates his music, giving it a reflective quality that neither fully inhabits the past nor rushes toward the future. Weinberger's interpretations capture that balance with clarity and restraint.