Symphonies Nos. 32, 33 & 34
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Nikolaus Harnoncourt's approach to Mozart strips away the velvet cushion of Romantic-era interpretation, bringing period-conscious clarity to three symphonies written in the composer's Vienna years. These works—K. 318, 319, and 338—occupy a fascinating middle ground in Mozart's symphonic output, neither the youthful exuberance of his earliest essays nor the architectural grandeur of the final symphonies. With the Concertgebouworkest, Harnoncourt highlights the theatrical grace and structural sophistication Mozart was refining during the early 1780s, letting the orchestration breathe with period instruments' transparency. There's an immediacy here, a sense of discovery that feels particularly fitting for music that balances courtly elegance with the restless innovation Mozart was exploring in his mature style. These aren't performances aimed at comfort—they're invitations to hear Mozart's architecture clearly.
Item Details+
| Genre | Classical |
| Style | Classical |
| Media | Near Mint (NM or M-) |
| Sleeve | Near Mint (NM or M-) |
| Description | Carefully packed and shipped with love from Vienna. Order more, save on shipping! |
| Label | Teldec |
| Country | Germany |
| Format | CD |
Tracklist+
Symphony No. 32 In G Major, K. 318
Symphon No. 33 In B Flat Major, K. 319
Symphony No. 34 In C Major, K. 338
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