Recorded two years before Return of Black September, Blue Mosque finds Muslimgauze in similar territory but presented across two discs with even greater scope. The music remains built from processed field recordings, atmospheric drones, and deeply layered synthesis, but here the approach feels slightly more structured—tracks have distinct identities rather than dissolving into one another. Yusef and Bir Zeit showcase Jones's gift for creating immersive, meditative soundscapes that feel both ancient and contemporary. The dub-influenced production choices add space and texture. This is maximalist ambient music that occupies its own aesthetic world. For listeners drawn to experimental electronic music, world music samples, and deep listening experiences, Blue Mosque represents the project at considerable depth and vision.