Carol Kidd's *All My Tomorrows* captures the Scottish jazz vocalist at a moment of particular clarity, interpreting the Great American Songbook with the kind of unhurried intelligence that distinguishes genuine jazz singers from mere interpreters. Recorded for Aloi Records in 1985, this programme moves through familiar territory—standards like "My Funny Valentine" and "Autumn in New York"—but Kidd's approach is never reverential or precious. Her voice possesses an easy warmth and conversational directness, and she navigates the harmonic subtleties of Thelonious Monk's "'Round Midnight" or the tender melancholy of "Haven't We Met" with the confidence of someone who understands these songs as living material. There's an intimacy here that feels less like formal performance and more like being invited into a thoughtful afternoon conversation about love, time, and the small wisdoms contained in the standards. For those familiar with Kidd's later work or Scottish jazz traditions, this record represents an essential document of her artistry.