By 1991, Saint Etienne had already begun their drift into more experimental and electronic territory, and these Dean Thatcher mixes capture them at a particularly adventurous moment. Thatcher's reworkings of "Speedwell" push the original into leftfield house and abstract electronic spaces, layering production touches that feel both club-minded and genuinely exploratory rather than straightforwardly dancefloor-focused. The instrumental version of "Nothing Can Stop Us" strips things back to something more skeletal and atmospheric, while "3D Tiger" adds another textural dimension to the package. Released on Heavenly, this represents the kind of collaborative remix culture that made the label and era so vital—artists treating remixes not as perfunctory commercial exercises but as genuine creative laboratories. There's an intellectual playfulness here that suits Saint Etienne's broader aesthetic, where pop sensibility and experimental impulse have always coexisted.