Exploring Time With My Piano
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Sergei Kasprov brings a pianist's deeply personal vision to this exploration of keyboard music spanning Baroque through Romantic eras. Rather than presenting repertoire chronologically, Kasprov considers how different composers conceived of musical time—rhythm, pacing, structural logic. The program traces connections between Bach, Scarlatti, Mozart, and later figures, revealing how pianistic thinking evolved. Recorded in 2013 for Alpha Classics with crystalline clarity, this is intimate music for a single instrument. Kasprov's interpretations favor clarity and singing tone over romantic excess, allowing musical architecture to emerge naturally. His performances balance scholarly understanding with genuine musical communication. Listeners discover how eighteenth and nineteenth century composers built their worlds differently, how their pianos and minds worked. This is music criticism made audible—a pianist thinking aloud about the repertoire he loves.
Item Details+
| Genre | Classical |
| Style | Baroque, Romantic |
| Media | Mint (M) |
| Sleeve | Mint (M) |
| Description | Sealed copy |
| Label | Alpha Productions |
| Year | 2013 |
| Country | Europe |
| Format | CD |
Tracklist+
J.P. Rameau
1. Prelude En La M (Premier livre de pieces de clavecin) 2:24
Transcriptions L. Godowsky (Renaissance, Book 1):
2. Menuet in A Minor 4:40
3. Sarabande in E Major 2:36
4. Rigaudon in E Major 4:14
J.B. Loeillet
5. Allemande in E Minor 3:56
6. Courante in E Minor 2:00
Transcriptions L. Godowsky (Renaissance, Book 2):
J.B. Loeillet
7. Sarabande* in E Minor 2:58
Transcriptions L. Godowsky (Renaissance, Book 2):
8. Gigue in E Minor 2:29
9. Gigue in G Minor 3:21
D. Scarlatti
10. Sonata H-moll, K-87 6:28
11. Sonata E-dur, K-162 5:44
Transcriptions C. Tausig:
12. Pastorale E Minor (Original Scarlatti Sonata K-9 in D Minor) 4:02
13. Capriccio E Major (Original Scarlatti Sonata K-20 in E Major) 2:53
J.S. Bach
Suite A-moll BWV 818-A
Transcriptions S. Rachmaninov:
Partita E-dur BWV 1006
Data provided by Discogs.
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